ENO’s Gilbert & Sullivan Walking Tour Review

As soon as I set eyes on the ENO’s Gilbert and Sullivan walking tour I pounced. There was everything to like about it…free tickets, curated by my favourite bass baritone John Savournin and an opportunity to hear great opera sung outside of a traditional auditorium.

ENO’s Gilbert and Sullivan Walking Tour

The ENO’s Gilbert and Sullivan walking tour started at the entrance to the Savoy Hotel. This was my very first surprise. I have been basking in the misapprehension that the Savoy entrance was on the Strand next to the Savoy Theatre. Who would have thought that an even grander hotel entrance with floral gardens existed behind the other grand hotel entrance?

In the midst of the flora and foliage are monuments paying homage to the combined talents of Gilbert and Sullivan.

John Savournin kicked things off wearing a black topper and giving an equally stylish rendition.

We were then whisked away to meet a handcuffed Ruairi Bowen singing a sad lament while dolefully awaiting his execution.

Zoe Drummond convinced us of her prim and ladylike virtues with melodic voice, all the while dancing demurely with a parasol. She wasn’t even fazed when an elderly old crock like myself tripped on the grass in front of her. Next time I hope she chooses a younger and more agile audience participant.

Trevor Eliot Bowes made a fine copper with his menacing Victorian gestures and his cartoonish antics. His truncheon holding and silly walk was straight out of a silent movie accompanied by a lively yet stern vocal performance.  He was a proper “job’s worth”.

On our travels down Whitehall we came across an overheating Ossian Huskian in full bear skinned hat regalia who entertained us royally. He caused much consternation to bemused strolling tourists.

We met Sir Joseph (Richard Suart), “The Ruler of the Queen’s Navee” outside Admiralty Arch. It was a perfect moment, the magnificence of Trafalgar Square and the Admiralty buildings, an eccentric and exquisitely attired admiral in his embroidery and feathers singing the most famous of Gilbert and Sullivan Songs “When I was a Lad”.

We ended the tour back at the London Coliseum where we were met by two dancing and singing faeries, so sweet they looked as if they had been plucked from the pages of Hans Christian Andersen’s Fairy Tales.

The creative and office team who had masterminded this wonderful tour were there to wave us off and we were each presented with a beautifully illustrated book of Jonathan Miller’s production of The Mikado.

It was a perfect day…perfect opera, perfect weather and perfect logistics. It is productions like this that make the ENO such an important cultural asset to London.

If you are a fan of Gilbert and Sullivan you may enjoy our review of the ENO’s HMS Pinafore. 

The ENO’s Gilbert & Sullivan Walking Tour is now sold out but keep an eye open for similar ENO initiatives and of course, book Iolanthe which is on from the 5-25 October.

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